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6 Early Ages, Romanesque, Gothic

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Middle Ages click here to track this topic
Section: Beginnings and Cultural Developments
Related:
Ancient History Medieval

    Although the transitions were gradual, and exact dates for the demarcation of the Middle Ages are misleading, convention often places the beginning of the period between the death of the Roman emperor Theodosius I in 395 and the fall of Rome to the Visigoths in 410. The Dark Ages, formerly a designation for the entire period of the Middle Ages, now refers usually to the period c.450-750, also known as the Early Middle Ages. In fact, the term Dark Ages may be more a judgment on the lack of sources for evaluating the period than on the significance of events that transpired.

    Medieval Europe was far from unified; it was a large geographical region divided into smaller and culturally diverse political units that were never totally dominated by any one authority. With the collapse of the Roman Empire, Christianity became the standard-bearer of Western civilization. The
papacy gradually gained secular authority; monastic communities, generally adhering to the Rule of St. Benedict , had the effect of preserving antique learning; and missionaries, sent to convert the Germans and other tribes, spread Latin civilization.

    By the 8th cent. culture centered on Christianity had been established; it incorporated both Latin traditions and German institutions, such as
Germanic laws . The far-flung empire created by Charlemagne illustrated this fusion. However, the empire's fragile central authority was shattered by a new wave of invasions, notably those of the Vikings and Magyars .

   
Feudalism , with the manorial system (see also tenure ) as its agricultural base, became the typical social and political organization of Europe. The new framework gained stability from the 11th cent., as the invaders became Christian and settled and as prosperity was created by agricultural innovations, increasing productivity, and population expansion.

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EARLY MIDDLE AGES

The disintegrating Roman Empire began re-emerging even as it was falling apart. In what we think of as Western Europe--Britain, the Iberian Peninsula, France, Germany, Austria, Italy--the formerly Roman world was in the hands of barbarians, but they were barbarians who had real respect for Rome. Many were Christians, though not necessarily Roman Catholic Christians.

In the East--Greece, Asia Minor and the general Eastern Mediterranean world--the Roman Empire did not fall at all, and had long been transformed into a Greek speaking Roman Empire centered at Constantinople. We call it the Byzantine Empire; they simply called it the Roman Empire. We will discuss them further at a later time, but they preserved much of the literature, law, and ceremony of Ancient Greece and Rome. There was not a clear break between Eastern and Western Christianity until perhaps the 1200s--1n 1204 Catholic Crusaders would attack and sack Constantinople which did not make them any friendlier, but there were theological and political issues, not to mention issues of world view. In the West, the pope came to be a political power in his own right. He controlled land in central Italy, could depose emperors, princes and kings--but c ouldn't always make it stick--He had his own base of power separate from the political rulers of the age.

In the East, the Patriarch of the Orthodox Church tended to be a creature of the Emperor, lacked any independent power base, and supported imperial policy. The Patriarch of Constantinople was the Patriarch as long as the Byzantine Empire held the world together, but as their world began to fall apart, other patriarchates emerged identified with specific nationalities--Greece, and Russia became the most important, surpassing older patriarchates in Jerusalem and Antioch.

The other world was also identified by religion--the world of Islam which too emerged from the Roman-Greek world of religion and culture, of Aristotle and Jesus. It was also unique, for Arabia was a far away world to the west, and Mohammed's interpretation of God while it rested on a Judeo-Christian, Hellenistic base, was quite remarkable.

The West The cities were in decline, especially in the West. Cities depend on trade, on transportation and economic complexity to assert their importance. But in the 400s, they simply became magnets for invading armies to attack and sack. With the city populations declining, there was much less profitability in the large estates of the late Roman world. Owners of these large latifundia tended to settle their slaves on small family farms so they could pay rent--usually in kind, money was becoming less important in the economy than simply being able to eat.

The free farmers who had once made up the Roman Legions were much less important in their military roles. The success of mounted troops against foot soldiers meant that armies of the middle ages would be dominated by horse soldiers who could afford the expense of going to war. The small, independent farmers, able to exploit technological innovations in agriculture were no longer expected to take months off to fight. He was, however, increasingly expected to pay for his protection, again in the form of produce. There was a clear distinction between independent peasant farmers and serfs--people tied to the land--but one wonders if the distinction were not in the psyche and not in the actual work performed. It is not clear how many people were serfs and how many were free peasants--peasants seem to have outnumbered serfs.

When the empire as a political unit fell, nothing immediately emerged to take its place. The Kingdoms of Franks and other kingdoms were much more informal political units than we might imagine. A king was whoever could act like one and be recognized by his fellows as one, and Germanic tribes tended to elect their kings and to bind them to respect the ancient customs of the tribe. Thus the basic political and economic unit was the most local. For much of Northern Europe and England, it was the Manor, made up of 50 to 250 people, a thousand acres or only a few hundred.

Whereas ancient Europe had been a world of commerce and interdependence--producing grain in Sicily and Egypt, wine and olives in Italy and Greece, the world of the manor, beginning about 500 AD was a world of self-sufficiency. The manor would include forests and fields where the lord would hunt boar and deer, and where the peasants and serfs would range their livestock. It would have commons--open fields where cattle could be grazed--numbers regulated by custom and tradition to prevent overgrazing. In addition, each peasant or serf--and it is difficult to draw a line sometimes--would have several strips of land in various parts of the manor. These might be passed on to children, or they might be exchanged on occasion. The manor would have a mill and a wine press and craftspeople to weave and mend and do all the things a rural economy needs, which is not a great deal.

The Lord of the manor and his family would live perhaps in a rude building in the middle of a wood and earthen stockade called a donjon. He provided justice for the members of the community, hearing cases about stolen pigs and who got whom pregnant out of wedlock, punishing wrongdoers and, at least in the ideal, defending with his sword the peace of the community.

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WEAPONS AND ARMOR

European warriors of the early Middle Ages used both indigenous forms of military equipment and arms and armor derived from late Roman types. One of the most widely used types of helmet was the Spangenhelm. Body armor was usually either a short-sleeved mail shirt (byrnie), made up of interlocking iron rings, or a garment of overlapping scales of iron, bronze, or horn. Shields were oval or round and made of light, tough wood covered with leather. Metallic mountings lined the rims. A hole in the center of each shield was bridged by a hand grip inside and a shield boss outside. Weapons were the spear, sword, ax, and the bow and arrow.

At the height of the Middle Ages, Saint Anselm (ca. 1033–1109) listed the equipment of a knight: his war horse (which by the thirteenth century was protected by mail and fabric), bridle, saddle, spurs, hauberk (a long-sleeved mail shirt, sometimes with a hood, or coif), helmet, shield, lance, and sword. Toward the end of the twelfth century, a new flat-topped type of helmet with side plates, which hid the face of a knight, became popular. To distinguish friend from foe, the knight's triangular shield was painted with identifying symbols. By 1200, mail for the legs, called chausses, was commonly worn by mounted warriors. Later, boiled leather or steel pieces protected the knees (kneecops), while small squares of the same hard materials covered the vulnerable shoulder joints (ailettes).

By the fourteenth century, the improved crossbow was able to pierce shields and mail armor. To counter this, knights first wore a poncho-like coat with small rectangular plates riveted to it, while articulated plate armor was developed for the legs, arms, and hands. The small, square, convex shield of the time (the targe) was eventually relegated to use in tournaments, since improved body armor made it unnecessary. A new form of helmet joined the all-encompassing great helm and the wide-brimmed chapel-de-fer (war hat). This was the more streamlined, close-fitting bascinet, with a curtain of mail (camail) from chin to shoulders, which frequently had a movable visor. By the late 1300s, solid breastplates first appeared to protect the chest as part of the short, tight-fitting coat of plates called a brigandine, while smaller plates covered the abdomen, hips, and back.

Within a few years, by about 1420,
full head-to-toe plate armor was in use, completing the image of the knight in shining armor.

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THE BARBARIC PERIOD- CLOTHING

The few roads that still existed were in a bad state, bridges were scarce, and brigands were common. For this reason during the Dark Ages, which lasted until about 1000 A.D., populations were tightly bound to the land surrounding the feudal lord's castle. People moved about only when there were festivals in other cities. These were the only occasions on which people could buy or look at different goods and have a chance to sell their own food or objects and fabrics made for sale. Fear controlled people’s lives and induced them to ask for protection from powerful warriors who had constructed well-defended castles, or from monasteries, which did not have soldiers but did have thick walls to hide behind. Life was hard, and , people thought little of clothing. Clothes were often made at home and were often rough and shapeless. Trousers, tunics and shawls were used to keep away the cold. The shawls were made of wool or fur and put over the shoulder. Most Europeans were dressed like today’s Benedictine monks, except for men’s trousers. Shoes were leather wrapped around the foot. Colors were plain; they were shades of gray, brown, dark blue and red. Conical hats were commonly worn.

This was a pyramidal society because the classes of people were in a shape of a pyramid.. with the kings and queens at the top of the pyramid (and were few in number) down to the peasants (who were many in number). In the middle were feudal lords, clerics, and others, such as vassals.

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QUESTIONS ABOUT THE MIDDLE AGES:
 
1.  What is the situation of Medieval Europe between 450-75-AD?
2.  Why is Christianity considered the salvation of the western world at this time?
3.  What caused the decline of the western cities at this time?
4.  What is the importance of a MANOR to the people?
5.  What type of armor was used at this time?
6.  Why is life so hard at this time?
7.  What is the meaning of pyramidal society?
8.  Why is the movement of people very limited during the Middle Ages?
9.  What is feudalism?
10.  Why did people build high and thick walls during this period?
 
 
GOTHIC PERIOD
 
 

A history of the Gothic period of Art and Architecture

Gothic Art is concerned with the painting, sculpture, architecture, and music characteristic of the second of two great international eras that flourished in western and central Europe during the Middle Ages

Gothic art evolved from Romanesque art and lasted from the mid-12th century to as late as the end of the 16th century in some areas. The term Gothic was coined by classicizing Italian writers of the Renaissance, who attributed the invention (and what to them was the non-classical ugliness) of medieval architecture to the barbarian Gothic tribes that had destroyed the Roman Empire and its classical culture in the 5th century Ad. The term retained its derogatory overtones until the 19th century, at which time a positive critical revaluation of Gothic architecture took place. Although modern scholars have long realized that Gothic art has nothing in truth to do with the Goths, the term Gothic remains a standard one in the study of art history.

Architecture was the most important and original art form during the Gothic period. The principal structural characteristics of Gothic architecture arose out of medieval masons' efforts to solve the problems associated with supporting heavy masonry ceiling vaults over wide spans. The problem was that the heavy stonework of the traditional arched barrel vault and the groin vault exerted a tremendous downward and outward pressure that tended to push the walls upon which the vault rested outward, thus collapsing them. A building's vertical supporting walls thus had to be made extremely thick and heavy in order to contain the barrel vault's outward thrust.

Medieval masons solved this difficult problem about 1120 with a number of brilliant innovations. First and foremost they developed a ribbed vault, in which arching and intersecting stone ribs support a vaulted ceiling surface that is composed of mere thin stone panels. This greatly reduced the weight (and thus the outward thrust) of the ceiling vault, and since the vault's weight was now carried at discrete points (the ribs) rather than along a continuous wall edge, separate widely spaced vertical piers to support the ribs could replace the continuous thick walls. The round arches of the barrel vault were replaced by pointed (Gothic) arches which distributed thrust in more directions downward from the topmost point of the arch.

Since the combination of ribs and piers relieved the intervening vertical wall spaces of their supportive function, these walls could be built thinner and could even be opened up with large windows or other glazing. A crucial point was that the outward thrust of the ribbed ceiling vaults was carried across the outside walls of the nave, first to an attached outer buttress and then to a freestanding pier by means of a half arch known as a flying buttress. The flying buttress leaned against the upper exterior of the nave (thus counteracting the vault's outward thrust), crossed over the low side aisles of the nave, and terminated in the freestanding buttress pier, which ultimately absorbed the ceiling vault's thrust.

These elements enabled Gothic masons to build much larger and taller buildings than their Romanesque predecessors and to give their structures more complicated ground plans. The skillful use of flying buttresses made it possible to build extremely tall, thin-walled buildings whose interior structural system of columnar piers and ribs reinforced an impression of soaring verticality.

Throughout this period, the central corridor of Europe running northwest from Lombardy to England, between Cologne and Paris, retains an exceptional importance. Much of the significant art--especially architecture--was produced within this geographic area, because it appears to have been an extraordinarily wealthy area, with enough funds to attract good artists and to pay for expensive materials and buildings. Paris --for much of this period the home of a powerful and artistically enlightened court--played an especially important role in the history of Gothic art.

Gothic architecture and art click here to track this topic
Section: The Nature of the Gothic
Related:
European Art

    The essential character of the Gothic period, particularly at the outset, was the predominance of architecture; all the other arts were determined by it. The character of the Gothic visual aesthetic was one of immense vitality; it was spikily linear and restlessly active. Informed by the scholasticism and mysticism of the Middle Ages, it reflected the exalted religious intensity, the pathos, and the self-intoxication with logical formalism that were the essence of the medieval. Gothic style was the dominant structural and aesthetic mode in Europe for a period of up to 400 years.

QUESTIONS ABOUT GOTHIC ARCHITECTURE AND ART

1. What is the origin of the word Gothic?

2. What is the problem that masons encounter in building heavy masonry?

3. How is the problem solved?

4. Why are flying buttresses important in making tall and heavy buildings?

5. Why is Gothic architecture abundant from Cologne to Paris?

6. What impressions do Gothic architecture give to people?